Thursday, June 9, 2011

The Lone Ranger and The Mystery Ranch

In 1936, three years after The Lone Ranger made his debut on radio, the publishing company of Grosset & Dunlap contracted with George W. Trendle to produce a series of books based on characters of The Lone Ranger and Tonto. It can be assumed that the books sold very well because a total of 18 were published from 1936 to 1956.

The first was penned by Gaylord Du Bois, and titled simply: The Lone Ranger. After reading the novel, both Trendle and Striker were disappointed. This was not at all the character portrayed on the radio program. Striker edited (and slightly re-wrote) the novel for a second edition, hence why there are two versions of the novel, each one credited to a different author. From that day forward, Striker began writing The Lone Ranger novels. (The later ones did not originate from Striker's typewriter.)

I haven't read all of the novels but having read more than half of them I can attest that two of them are must-reads. I'll focus on one of them, the second novel (and the first written by Striker following his disapproval of the way Du Bois handled the first novel): The Lone Ranger and The Mystery Ranch (1938), because it's one of the renditions of the Texas Ranger massacre, without the later creation of Butch Cavendish.

In the novel, The Lone Ranger and Tonto are on the trail of the Night Legion, the notorious, ruthless gang of criminals responsible for an untold number of crimes across the States and territories, and responsible for the Texas Ranger massacre that forced the sole survivor to don a mask and set out to seek justice. The Lone Ranger and Tonto stumble on the dying testimony of Joe Frisby, overhearing a plot complicated by two halves of a treasure map. After rescuing two young women arriving from the East, Sally and Marge Whitcomb, from an ambush plotted by members of the Night Legion, The Lone Ranger deposits the girls at the ranch owned by their uncle, a known reclusive, whom they haven't seen in more than a decade. After discovering that Uncle Whitcomb’s place is also nicknamed The Hoodoo Ranch, and someone there leaked information to the leader of the notorious gang, the hooded leader, The Lone Ranger and Tonto agree to keep an eye on the ranch for the girls’ safety.

Fran Striker
Meanwhile, a council of war is gathered in the office of Sheriff Cook, who recruits a number of deputies to help purge the town of Sundown of the notorious gang. The horrors of the Night Legion have swept across the countryside but with The Lone Ranger in the area, the Sheriff is certain the gang will be apprehended. When Sally finds a blue vest worn by one of the men who killed Joe Frisby, she sneaks off the ranch to alert the Sheriff. Marge, attempting to cover for her sister, is escorted off the ranch by her uncle and soon learns that he is the hooded leader that has masterminded the numerous crimes across the plains. He plans to eliminate the girl after he discovers where she and her sister hid the remaining half of the map. Without possession of her piece, Joe Frisby’s half of the map is worthless. Upon learning where she hid it in the house, he returns to the ranch.

The Lone Ranger, meanwhile, has discovered a cellar underneath the house where an old man is being starved to death. He is the real uncle and the leader of the notorious gang has been masquerading as the girls' uncle. During their confrontation, The Lone Ranger shoots the killer’s gun out of his hand and beats a confession out of the criminal as to the whereabouts of Marge. The much-feared boss becomes a sniveling coward, begging and pleading for mercy. After learning that she was being kept against her will in Flynn’s Cave, the law races out to apprehend the gang members and rescue the girl.

While the plot is simple enough, the back story is more complex: this novel was loosely based on the radio broadcast of November 2, 1933. (more about this in a few moments and I promise you, it'll be a corker...)

The novel helps describe the characters not as they are seen in the Clayton Moore television program, but as Striker envisioned them when he wrote the novel, and the radio dramas. In chapter one, Tonto was described as smaller than The Lone Ranger, with a bronzed, high-cheek boned face. His long, black hair was parted in the center of his head and drawn back tightly to be fashioned in a war-knot at the back of the neck. As for The Lone Ranger, Striker described him not physically, but as others saw him in the West in the following narrative:

"His daring acts of courage in the name of Justice made him known throughout the West. To many of the pioneers he existed as an almost legendary character. Only a small portion of those who knew of him had seen him, and none of these had ever seen his face unmasked. Many times, his safety had depended upon his knowledge of a cave or other place of hiding. Many outlaws had sworn to kill the masked rider for his work in bringing countless desperadoes to justice and breaking up untold rustling gangs and outlaw bands. Even lawmen wanted The Lone Ranger. Only a few had been convinced that this strange figure was not an outlaw, and those few thanked God for the man who had no thought of personal glory or reward… for the man whose only purpose in life seemed to be to help the deserving and punish the lawless in a region where laws were few and those few, seldom enforced."

One of the most fascinating benefits from reading the Striker novels are the trivial matters which geeks like myself find amusing. Examples? After burying a dead man, whom Tonto and The Lone Ranger found hanging from a tree, the masked man pays his respects in an unusual way.  

"The shallow grave was finally prepared, and the body, wrapped in one of The Lone Ranger’s blankets, was gently lowered to its final resting place. Then, hat in hand, The Lone Ranger did a rare thing. In the darkness, he removed his mask. For an instant, while his clean-cut face was lifted toward the sky in silent prayer for the departed soul, and while Tonto’s head was bowed, the moon again broke through the clouds. Tonto echoed the white man’s 'Amen.'"

Chapter two offers a description of The Lone Ranger’s guns, including the fact that it had ivory butts. The same chapter revealed the notorious outlaw gang, The Night Legion, and how Tonto used miraculous cures to save The Lone Ranger (pp. 12-13) and Chapter 13 (pp. 113-114). Chapter five revealed Tonto’s friendship with The Lone Ranger.  

"Tonto’s hand showed white across the knuckles from the way he’d gripped the branch in tension! Though the Indian had yet to kill his first man, and though he knew it was against the principals of The Lone Ranger, his companion, to shoot to kill even the most evil of outlaws, he had been ready to shoot the Boss, if his masked friend has been killed."

Chapter 13 reveals that The Lone Ranger and Tonto rarely woke after the sunrise. The Lone Ranger’s cry of "Heigh-Yo Silver!" was explained at the end of the same chapter, as he shouted loudly to his great white horse when escaping custody of the Sheriff and his deputies, who temporarily assumed he was a bandit until his cry of escape gave the Sheriff cause to tell his men to hold back their fire.  

"His modesty made The Lone Ranger totally unaware of the way his ringing cry had spread throughout the region. He had no way of knowing Sheriff Cook’s new attitude toward him. As far as The Lone Ranger knew, his sudden burst for freedom had made both him and Tonto outlaws, sought by the men of Showdown for the murder of Joe Frisby. Now, he must be more careful than ever as he tracked down the Boss of the Night Legion."
Chapter 17 revealed the color of The Lone Ranger’s eyes: grey. Chapter 19 revealed The Lone Ranger was right handed. The final chapter in the book revealed The Lone Ranger’s anger towards the man responsible for the massacre of his close friends. After beating the Boss into a corner and revealing the criminal as a sniveling coward, begging and pleading for mercy…  

"The Lone Ranger had no place in his heart for mercy of sympathy. Hanging would follow in due course, but first, there was an unholy satisfaction in feeling his fists punish the hateful creature whose sadistic nature brought torture and death to so many fine men of the West."

The closing chapter reveals The Lone Ranger’s intent to continue the good work they accomplished from this adventure.
    “We have the Night Legion,” the masked man told his Indian companion, “but there are so many countless other outlaws to be run down and there are so many people who need Justice, that… well, good friend, I think as long as we’ve made the name Lone Ranger mean something, we can continue to help people!”
    Tonto nodded, agreeable to anything his tall white friend suggested.
    “I’ll not unmask just yet! I want to carry on, just as the Texas Rangers would, if the Night Legion hadn’t wiped them out.”

Earle Graser, radio's The Lone Ranger
Remember I mentioned this novel was adapted from the November 2, 1933 radio broadcast with Earle Graser playing the role? (The early radio broadcasts were never titled.) Well, check this out for similarity. 

Plot: Molly and Madge Stebbins arrive in Texas from Louisiana to manage their Uncle’s Bar Square Ranch, only to discover their uncle had recently died and suspicion mounts that he was stealing and re-branding other ranchers’ cattle. Tonto keeps tabs on Senor Pablo Casabo, whom The Lone Ranger suspects kidnapped and hid Uncle Dan and is keeping him captive till he can secure the ranch for himself through a signed deed. The Masked Man, meanwhile, rides to Mexico to fetch evidence against Casabo and returns to find the girls have been evicted against their will. Angry, The Lone Ranger barges into the house and against eight men, the Masked Man sought deadly vengeance with his guns and made arrangements for the girls to return home… thanks to the arrival of Uncle Dan, who confesses that he was kept prisoner and forced to sign the land over.

Keeping in mind that phraseology from the past can often be interpreted as "politically incorrect" by today's standards, I'd like to think that we're mature enough today to understand that slang from the thirties was the norm at the time. For historical purposes, I am reprinting a few script pages below without any form of editing. Here, you'll see what might be the only time The Lone Ranger took the law into his own hands with his ivory-handled guns. And a side of The Lone Ranger that has rarely been explored anywhere else.

ANNOUNCER:   And so the two girls are forcibly taken from the house and the ruthless, unscrupulous Pablo Casabo moves in.  The Lone Ranger is returning from his trip into the Mexican territory and has finally reached Tonto, who is filled with news..

TONTO:    They take gals from house.

RANGER:    Who did.  Casabo?

TONTO:    Ugh.  Tonto, me watch, me no can do help.

RANGER:    Where are the girls now?

TONTO:    They go, widdow Taylor... they stay there.

RANGER:    ARE THEY INJURED AT ALL?

TONTO:    Nope.  Not hurt, but mad.

RANGER:    They refused to go back east eh/

TONTO:    Ugh.  Young un, she say her cowboy him come back mebbe some day.

RANGER:    Um, Tonto, I would not want a finer girl than Madge Stebbins.

TONTO:    Ugh.  But what you do?

RANGER:    Who is in the ranch house now?  Casabo?

TONTO:    Ugh!  Him an’ Greasers, mebbe eight, mebbe nine.

RANGER:    All of them living there?

TONTO:    Ugh.

RANGER:    Alright!  Tonto, I’ll want BOTH guns now.

TONTO:    UGH.  YOU GO FAST ACTION AGAIN!  EH?

RANGER:    LOADED FULL!

TONTO:    UGH.  TONTO HAVE ‘EM READY.

RANGER:    SILVER BULLETS!  IT IS TIME THAT THESE MEXICANS WERE SHOWN ANOTHER LESSON IN JUSTICE!

TONTO:    UGH.  THERE GUNS!  ME STRAPPUM ON TIGHT!

RANGER:    And LOW, Tonto, so they’ll draw fast!  I seldom go out, Tonto, with INTENTIONS to kill men, BUT WHEN LYING GREASERS LAY HANDS ON YANKEE GIRLS THAT ARE BRAVE ENOUGH TO COME OUT TO THIS COUNTRY...

TONTO:    (CHUCKLE)

RANGER:    Is the mask snug and tight?

TONTO:    HEAP SNUG !  Silver, him see you.  Look him ears!

RANGER:    (WHISTLE)

SOUND    Distant whinny.

TONTO:    Silver, him know him ride to action.

RANGER:    HERE SILVER..

SOUND    Hoofs approach.

RANGER:    THERE WE’RE OLD BOY...  HI YO SILVER... AWAY-Y-Y-Y

SOUND    Start hoofs fast, and fade.
 
MUSIC    Interlude.

ANNOUNCER:    Casabo sits in his newly acquired home with a great sense of satisfaction at the ease with in which his plot has carried thru.  His safety is assured by the eight men that live in the house with him, all of them handy with knife orgun.  Whena single man with a masked face brust open the door, Casabo felt perfectly sure of the fact that his own life was safe..

RANGER:    CASABO!

PABLO:    Ah, you come to see me senot?

RANGER:    Casabo, you’re going to be KILLED!  Draw your gun, so I wont have to shoot you without giving you a chance to defend yourself.  You’ve robbed, lied, cheated swindled, stolen and killed and you’ve been warned by me before.

PABLO:    But I do not know you senor..

RANGER:    These guns, will send a silver bullet into that vile heart of yours!

PABLO:    SILVER.. YOU... YOU ARE THE LONE RANGER?  (SHOUT)  AMIGOS!  HELP!

RANGER:    (LAUGH)  CALL YOUR ARMY...  WE’LL FIGHT IT OUT!

SOUND    Distant shot.

RANGER:    YOU SHOULD NEVER HAVE MISSED YOUR FIRST SHOT JUAN.

SOUND    Shot.

PABLO:    MANUEL, SHOOT HEEM!

SOUND    Shots ad libbed to fade out!
 
MUSIC    Interlude.

ANNOUNCER:    One after another of the henchman of the Mexican leader draw aim at The Lone Ranger, the heavy guns with their bullets of Silver were unerring and when the both guns held nothing but empty chambers The Lone Ranger, strode from the house, the victor, due to the uncanny speed of his fire and the deadly accuracy of his aim.  In the home of the widow, the girls are approached by a white haried man, who walks with a limp.  It is a full week after the shooting affair---

DAN:    Aint yew the Stebbins gals?

MADGE:    Yes, I’m Madge and this is Molly.

DAN:    Wal bless my soul Molly, yore the image o’ yore Maw...

MOLLY:    ARE.. ARE YOU.. UNCLE DAN?

DAN:    Yup.  That’s me gals!

BOTH GIRLS:    (AD LIB JOYOUS GREETINGS)

DAN:    That thar now, I know what’s happened tuh ye, an’ what yuh been told, I was took prisoner by that thar crook an’ he tried tuh make me sign away what I was aimin’ tuh give yew gals, but I wouldn’t do it, an’ whilst his men was tryin’ tew force me tuh sign papers an’ things, this yere Pablo, he FORGED my name tuh show yew gals, an’ then a feller wearin’ a mask, an’ ridin’ a white hoss...

MADGE:    THAT’S MY COWBOY!

The reason I reprinted the script was because the recording is not known to exist in recorded form. The radio drama, however, was recreated on stage at the 2010 Mid Atlantic Nostalgia Convention. Leah Biel played the role of Madge and Roy Thinnes from TV's The Invaders played the role of Tonto. The convention policy is to do recreations of "lost" radio programs, as a necessary part of historical preservation.

In closing, if you ever find a copy of The Lone Ranger and The Mystery Ranch (1938), I recommend you buy it and read it. Grosset & Dunlap books vary in price. Finding one with the original dust jacket will cause the price to go up. However, if you prefer to find one without the original dust jacket (and yes, that's easy to do), you can easily find a copy for $10 or less, which is a great price. (Avoid the 1980s paperback reprint. It's briefly edited and costs about the same as the G&D original anyway.)

2 comments:

Ed Hulse said...

Martin, the "Mystery Ranch" backstory is even more complicated than you report in your excellent post. The book is an expanded version of "The Phantom Rider," the lead story in the first issue (April 1937) of the short-lived LONE RANGER pulp magazine. In his BLOOD 'N' THUNDER article on said magazine, Al Tonik compared the two. The pulp version runs approximately 35,000 words; the book version about 50,000. Al theorized that the pulp version's uncredited writer had access to radio-show scripts: traces of "Phantom Rider" can be found in LR shows #'s 385, 400 and 536. His side-by-side comparison of the two novels shows that "Mystery Ranch" expanded "Phantom Rider" with newly added sequences. The origin story was one of them, which makes sense since the Ranger ambush was devised for Republic's 1938 serial, THE LONE RANGER (written in late 1937), and therefore had not yet seen print when the pulp magazine was published.

Martin Grams said...

Hi Ed!

I composed about three dozen blog posts and the system will post them one every Friday afternoon automatically. One of the future postings does cover the pulp magazines and which ones were expanded into novels and which ones were made into Big Little Books and Better Little Books. And in many cases, the differences between them.

Al's piece was great, but small correction: Fran Striker did write more than half of the novels. Paperwork in his son's collection verifies this. (His son was at the MANC Convention last year as a guest.) Striker himself created the origin story for the novel version and in an inter-office memo, insisted on it, having read Gaylord DuBois' interpretation of The Lone Ranger in 1936 and was disappointed in what DuBois did.

You are correct that Striker LOVED the serial, borrowing the origin AND admitted in a letter that he felt the mask worn by The Lone Ranger in that serial was the one that should have been depicted in art work and the radio program. A similar one was devised for THE GREEN HORNET in 1938 (photo in the HORNET book).

Glad to hear you're among the blog readers! See you at Pulpfest! Martin

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