Friday, August 29, 2014

The Green Hornet: The "Lost" 1937 Radio Broadcasts

In an effort to extend his profits, and the broadcast range of The Green Hornet, George W. Trendle paid for each radio broadcast to be transcribed when it was broadcast "live." He then syndicated the series to radio stations across the country and those stations would pay a rental fee for each disc and that station could sell sponsorship time. 

The system was not without flaws. When someone in the recording department was putting a Hornet seal over the program numbers, on the discs, stations had to listen to the programs in order to find out which episode number it was according to the spec sheets. This was specifically an issue with KTAR in Phoenix, which decided not to bother with verifying the sequential numbers and chose to broadcast the episodes out of sequence.
 
On the evening of Thursday, August 25, 1944, a number of radio listeners expressed curiosity when WMAQ in Chicago started in at 10:30 with a fascinating, but unscheduled, episode of The Green Hornet, ran it for nine minutes, then switched into Everything for the Boys, normally heard at that time. An announcer explained briefly that it had all been a mistake. The boys at WMAQ recorded both programs earlier in the evening as network features, at which time they were recorded as transcriptions for broadcast at a later time. Apparently an employee typed out labels for both transcriptions, then put the Hornet label on the Everything for the Boys record, and vice versa. The Green Hornet boiled merrily till 10:39 until it was verified that the traffic department hadn’t scheduled a last minute change. Then the announcer broke in while the engineer put on the right record, measuring off approximately nine minutes from the beginning so Everything for the Boys would end at the proper time.
 
John Todd, Senior Reid on The Green Hornet
KFMB in San Diego, California, part of the Worchester Broadcasting Corporation, paid Trendle $28 for each episode played over their network. On March 5, 12, 19 and 26, 1945, episodes 688 through 691 were played in sequence. For the broadcast of April 2, however, an error occurred. Half of each episode was featured on one side of two separate discs. When the first half of an episode concluded on one disc, the second half picked up almost instantly from the other disc. The opposite side of those two discs featured the two halves of the next episode. Due to an error in labeling before the transcriptions were received by KFMB, the network broadcast the first part of episode No. 692 titled “Load of Cigarettes,” and the second part of No. 693 titled “The Bigger They Are.” The mistake was not caught until the recording was being played over the air, and the network began receiving phone calls from listeners asking for an explanation. KFMB could not charge its sponsor for the broadcast because of the error, and the network applied for a credit with King-Trendle to compensate for the mistake. (On April 9, the network continued with the next sequential episode, No. 694.) KFMB’s request for a credit was approved by Trendle, but not until eight months later because he insisted the source of the error had to be verified first.
 
This might explain why Trendle requested a title be added to each radio adventure, rather than an episode and disc number. The August 2, 1938 broadcast was the first episode of The Green Hornet to be titled. As such all episodes prior to August of 1938 did not have a script title. Fran Striker, the author, simply numbered each script with an episode number. What follows, for your amusement, are ten episodes with plot summaries for radio broadcasts not known to exist in recorded form. No matter how many episodes of The Green Hornet you might have in your collection, the episodes documented above were never transcribed and therefore, never will surface no matter how hard you look. While hundreds of radio broadcasts exist and are not yet available in collector hands, these episodes are certified "lost" and are offered for your own amusement. 

Episode #162 [NO TITLE LISTED] Broadcast of Thursday, August 26, 1937
Copyright Registration D-2-#51703, script received at Registration Office Sept. 2, 1937.
Plot: The Atlantic Building Corp. is constructing a skyscraper when work suddenly halts. The tight-fisted owner of the adjoining property, Herman Fogarty, demands $1 million for a strip of his land six inches wide. Since the building’s construction is six inches off, Fogarty’s attempt to prevent completion succeeds. Britt Reid learns an injunction stopping work at this stage allows the corporation to profit on the unfinished job. The Green Hornet convinces Fogarty that he’s working with Davidson of ABC, causing a falling out between the two men and putting 3,000 men back to work.
 
Episode #163 [NO TITLE LISTED, PART ONE OF TWO] 
Broadcast Tuesday, August 31, 1937 
Copyright Registration D-2-#51848, script received at Registration Office Sept. 10, 1937.
Plot: Frank Williamson operates a string of bookie parlors out of town. Having studied the affairs of the Hornet, Williamson contacts his friend, Chief Riggin, to explain his plan for catching The Green Hornet, believing someone in the police department is a leak. Knowing The Hornet wants evidence that could convict bookie Trig Gerber, word spreads as bait for the masked man. The Green Hornet takes the bait and discovers his only means of escape, a skylight, is locked shut. Mike Axford sneaks inside to help catch The Hornet, unlocks the skylight, and unwillingly aids his escape. Axford is gassed, and Britt Reid stashes his costume and gun, then fakes being a victim of The Hornet gas to eliminate suspicion.
 
Episode #164 [NO TITLE LISTED, PART TWO OF TWO]
Broadcast Thursday, September 2, 1937
 
Copyright Registration D-2-#51849, script received at Registration Office Sept. 10, 1937.
Plot: Britt Reid learns that Doctor Mordant, who heads the health column in The Daily Sentinel, administers drugs to at least a half-dozen addicts, claiming they are treatments for the patients’ nervous troubles. They are now addicted, and their position and money protect them. When Axford discovers Mordant’s nurse was murdered by Trig Gerber’s men, and are being shielded by Frank Williamson, The Green Hornet visits Mordant late one evening to convince him that Williamson plans to use the doctor as a fall guy. Stealing the doctor’s gun, the Hornet plants it where Axford will find it, and when Williamson learns about the murder weapon, he plans to eliminate the doctor. Trig shoots Mordant, but not before the doctor squeals on Williamson, and Williamson puts the finger on Trig.
 
Episode #165 [NO TITLE LISTED] Broadcast Tuesday, September 7, 1937 
Copyright Registration D-2-#52005, script received at Registration Office Sept. 17, 1937. 
Plot: Gordon Hawthorne claims he has six bona fide letters that would prove beyond a shadow of a doubt the identity of The Green Hornet. He also claims the letters concern Millicent Bancroft, who is a foreign agent, collecting information by posing as an attractive society woman. Hawthorne offers to sell the letters to Britt Reid for $5,000, but Reid claims he would have to see the letters before choosing to buy and publish them. The Green Hornet cleverly steals the letters to unearth a blackmail plot and exposes Millicent Bancroft while foiling Hawthorne’s scheme.
 
Episode #166 [NO TITLE LISTED] Broadcast Thursday, September 9, 1937 
Copyright Registration D-2-#52006, script received at Registration Office Sept. 17, 1937.
Plot: A special investigator from the State Attorney’s Office tips off Britt Reid with his suspicions that a number of restaurants and nightclubs have a racket in wines, putting new wine in bottles labeled for older vintages. He suspects that Rinaldo, who owns all the shady eateries, is juggling the state’s wine accounts, and paying off corrupt clerks. When Fawcett is found dead the next day of an apparent plunge in an auto accident, Reid suspects foul play. The Green Hornet visits Rinaldo’s office and steals papers incriminating the guilty parties involved. Rinaldo, upon discovering the theft, attempts to torture Cooley, a clerk of the state liquor and wine commission, with a hunk of iron and a blow torch, but The Green Hornet arrives to save Cooley’s life and expose the crooks.
 
Episode #167 [NO TITLE LISTED] Broadcast Tuesday, September 14, 1937 
Copyright Registration D-2-#52076, script received at Registration Office Sept. 22, 1937.
Plot: Darion and Boroff make arrangements for the safe delivery of the Idol Eyes, a pair of matched rubies said to have been from the crown of a ruler in the Far East. Axford tells Reid that Boroff resembles a crook named Duke Gosinski, known as one of the slickest jewel thieves who ever lived. When the jewels are stolen, Mrs. Sanderson, the owner, becomes the prime suspect. But the jewels stolen were paste copies and The Green Hornet visits Boroff to claim he stole the real rubies, negotiating a sale, revealing Boroff is the indeed the famed jewel thief and is attempting to cash in on the insurance policy. Boroff, however, is fooled by The Green Hornet when their deal goes sour and he finds himself framed for the crime.
 
Episode #168 [NO TITLE LISTED] Broadcast Thursday, September 16, 1937 
Copyright Registration D-2-#52077, script received at Registration Office Sept. 22, 1937.
Plot: An epidemic of burglaries has occurred in a dozen wealthy homes. The police attempt to railroad an innocent maid into a confession. The guilty party is Amos Carter, who is accepting memberships for a club he is organizing for house servants who wish to accept a percentage of the robberies. Kato sets himself as bait for Carter and his assistant, Steve, who decide that wealthy apartments should be the next target. When Reid’s apartment is burglarized, Kato becomes the prime suspect — until evidence suggests The Green Hornet was involved. Steve and Amos suspect the masked man is attempting to muscle in on their operation, unaware they are giving away details of their operation to the police.
 
Episode #169 [NO TITLE LISTED] Broadcast Tuesday, September 21, 1937 
Copyright Registration D-2-#52288, script received at Registration Office Oct. 4, 1937.
Plot: The Merker bill proposes a one percent tax on gasoline, but it was never meant to be passed. It was proposed just so an association of gasoline dealers would come through with a little financial backing to fight the measure. When Roscoe Burton, the new state senator, is offered a bribe, he rejects the payoff and visits The Daily Sentinel with his story. Britt Reid agrees that such bills have been introduced in the past, with no intention of passing, but without proof, nothing can ever be done. When the disillusioned Burton leaves The Daily Sentinel, he is struck by a car and killed. When another state senator, Morgan, gets involved with the same bill, The Green Hornet sets out to meet the lawmaker personally and reveal Jonothan Corbett, another senator, was behind the bill and the murder.
 
Episode #170 [NO TITLE LISTED] Broadcast Thursday, September 23, 1937 
Copyright Registration D-2-#52289, script received at Registration Office Oct. 4, 1937.
Plot: Jack Hastings, a college friend of Britt Reid, is in town to help his play, “The Gold Jersey,” become a success on the stage. But the director, Ranny Roberts, and the producer, Mike Jacoby, are purposely attempting to flop the show — they have sold the rights to the play to half-a-dozen other men. If the show is a hit, they have to pay 80 percent of the profits to each of the six investors. The Green Hornet sets out late one night to convince producer Jacoby to leave town in a hurry. The Hornet does the same for Roberts, leaving Hastings to handle the reins. The play is a financial and critical success, and Jacoby and Roberts are forced to remain in hiding when the backers come knocking.
 
Episode #171 [NO TITLE LISTED] Broadcast Tuesday, September 28, 1937 
Copyright Registration D-2-#52339, script received at Registration Office Oct. 7, 1937.
Plot: Carlos Wilson, a big-time gangster, accused of murdering Jake the Killer, walks when he provides a steadfast alibi. Hymie Martin, who took a candid picture at the time of the killing, managed to get the murder weapon with Wilson’s fingerprints and strikes a deal with the police to turn over the evidence. Meanwhile, Jim Stevenson, a 15-year-old in jail for a minor offense, is bailed out by Wilson, who offers him a job. He plans to set-up Jim for a burglary rap, with evidence planted on the boy to also accuse him of the murder. The Green Hornet arrives on the scene, gasses the burglars, gets Jim out of there before the police arrive, and secures the evidence so Wilson will go to jail for the homicide. Britt Reid, having read the news in his own paper, offers young Stevenson a job working for The Daily Sentinel.
 
Episode #172 [NO TITLE LISTED] Broadcast Thursday, September 30, 1937 
Copyright Registration D-2-#52340, script received at Registration Office Sept. 30, 1937.
Plot: Barney Adams operates an organization like a church or club and convinces people to back a fund-raiser, for which he resorts to everything, up to and including blackmail, to sell advertising space. He makes a fortune every year, and since he is not breaking any laws, he cannot be stopped. Britt Reid uses his newspaper to discourage Barney’s advertising methods, but when he learns how Mr. Usher and Mr. Porter and their congregation have been misrepresented, Reid dons the guise of The Green Hornet to smash the racket. By stealing the money Barney was going to use for printing programs, he ensures the crooked advertising man is unable to fulfill his part of the business arrangement, giving police what they need to put him behind bars and providing just cause for the church to file suit against him.
 

Shameless Plug: The "lost" episodes featured in this blog post are reprinted from my book, The Green Hornet: A History of Radio, Motion Pictures, Comics and Television. Originally released in paperback format, a hardcover version has recently been made available exclusively from coverout.com.

One small reminder I stated a couple times since I started this blog. There are a number of people who have made it a habit of copying material from my blog, including photos, and then claiming they did their own research. One even went so far as to say I stole from them! If this happens again, I will take the entire blog down. I am merely posting this information for the amusement and entertainment of those folks in the hobby who appreciate such treasures being brought to light.

© 2013, Martin Grams, Jr. All rights reserved.

Friday, August 22, 2014

Claude Rains in "The Catbird Seat"

A friend of mine said he is a fan of Claude Rains and was complaining that some of the actor's radio appearances are not known to exist in recorded form. He wishes recordings would be found so he can listen to them. Well, knowing Bill reads my blog, I am presenting a surprise for him.

On the evening of Sunday, February 10, 1952, from 6:43 to 6:53 p.m., Claude Rains played the lead in an adaptation of the James Thurber story, "The Catbird Seat." His performance was the highlight of the evening on the NBC radio program, The Big Show. Most of the second season broadcasts of The Big Show are not known to exist in collector hands -- but thankfully, they do exist. But seeing that it might take another decade before the recording surfaces, I am offering the next best thing: a scan from the original radio script featuring that very performance. If you can envision the voice of Claude Rains, you'll enjoy this little treat.



Friday, August 15, 2014

The Lone Ranger: The "Lost" 1933 Radio Broadcasts

Brace Beemer as The Lone Ranger
During the 1930s, very few people, if any, saw future commerical value in radio broadcasts beyond their initial airing. Moments after the drama concluded, all of the scripts were deposited into a tray or box and promptly discarded into the nearest paper bin. The script writer, producer, director and cast then began preparing for the next episode. A few of the script writers saved one copy of every script for their own personal collection.

Recording old time radio shows on transcription discs was expensive. Very few people wanted to spend the money -- even fewer had their own personal transcription disc player. It was capable of being played back on a record. Under contract, some sponsors foot the bill to have the shows transcribed. Lipton Tea, for example, when sponsoring Inner Sanctum Mystery, had every episode recorded for their legal files. The Columbis Broadcasting System insisted on the same for Suspense and the network covered the costs. For Dan Golenpaul and his radio program, Information, Please, every episode from May 17, 1938 to early 1945 was transcribed for a single purpose: to rebroadcast the same episode a couple hours later for the West Coast airing. (The game show was honest, so asking the same questions twice seemed silly and it was cheaper to record the show for later playback than to pay the staff to return to the studio two hours after the East Coast airing.) When the radio program moved to a later time slot in early 1945, so the show could be heard coast-to-coast, the transcriptions ceased.

DuPont, sponsoring The Cavalcade of America, began transcribing the series beginning with the first broadcast. Eventually, in later years, an extra transcription was made and handed over to the celebrity guest as a "thank you gift." There are photos that circulate with celebrities smiling and holding a copy of the recording they helped with. This is also why we have almost every episode of Cavalcade in stock.

Earle Graser as The Lone Ranger
So when someone asks why radio shows for particular series do not exist, remember there was always a reason: a financial reason.

For George W. Trendle, it was a business decision. Unless The Lone Ranger could be syndicated and sold to smaller stations for local sponsorship, there was no reason to record the Western adventures. In the fall of 1938, the bill cost Trendle $90 per half-hour broadcast, not counting the cost of making backup masters. With a radio program airing three times a week, that was an expensive proposition. In excess of 1,600 originals plus 410 repeat shows (1954-56) have been in collector hands for decades. With the exception of two 1937 radio recordings, virtually all pre-1938 radio broadcasts of The Lone Ranger are not known to exist in recorded form.

Because of the new Lone Ranger movie coming out this summer, we'll be exploring various aspects of The Lone Ranger during this calendar year (but not too often so if you don't care for The Lone Ranger, you won't get sick of it). And for this posting, I am offering plot summaries and trivia for ten "lost" episodes from 1933. Fran Striker, who scripted all of these radio adventures, never assigned titles for these episodes until 1940, so they remain untitled. And the purpose of posting these on the web? Part of an active attempt to preserve part of old-time radio history. Since no recordings exist, this is the next best thing. Enjoy!

Episode #100  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 19, 1933
Robert Liggett (WXYZ staff) sketched his version of
The Lone Ranger found on the back of a radio script.
Plot: Stage robbers prey on a community and the head of the coach line, Alf Kimberly, forces Abe Calhoun, Sheriff of Juniata County, to make an arrest or face opposition come election time. An innocent young man named Dave Sands is accused of being a member of the gang, but breaks free from jail thanks to the Lone Ranger. Tonto, meanwhile, tracks the two guilty culprits, Red and Hammer, leaving a trail of red paint for the sheriff to follow, believing a horse belonging to one of the crooks is bleeding. Alf, attempts to play detective and captures Dave with the help of his posse. Before young Dave can be hung for the robberies, the Lone Ranger interferes long enough to allow the sheriff to arrive and explain how he and his men followed the trail to the guilty culprits. With an explanation provided, Alf apologizes and admits that Sheriff Abe Calhoun is the best sheriff in the county.

Episode #101  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 21, 1933
Plot:
Bessie Bixby and her husband Ben are in dire straights. Thieves stole their tin box containing the money they saved up for taxes. Idaho Pete, living right outside of Golden Gulch, is accused of the crime. But the Lone Ranger had made arrangements to put Pete in jail overnight so he would have an alibi for the robbery. Tonto disguises himself as Idaho, complete with whiskers, and resides in the shack long enough for a confrontation between Ben and the local doctor. Thanks to the meddling of the Lone Ranger, the doctor’s true identity is revealed. Not only was he the man responsible for stealing the money (found on his possession), but the same mane responsible for framing Idaho Pete years ago in Montana for a crime he did not commit. Sheriff Cunningham, on the scene, takes over from there as the Masked Man rides away.

Trivia, etc. According to the script, the role of Limpy (one very brief line in the script) was doubled by the same actor who played the role of the Lone Ranger.

Episode #102  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 23, 1933
Plot:
Old Widow Sims receives a late night visit from Blackie and Squint, two men responsible for robbing an express office in Kansas and shooting a man dead. When the men attempt to muscle in on her abode, she makes a daring escape after being shot at, and she is found in the desert by the Lone Ranger and Tonto. Curly Jenks, a former employee of the express office, was accused of the crime. The Lone Ranger and Tonto find Curly and prevent him from being hung by the law for the crime he did not commit. The Lone Ranger becomes a sheriff's deputy long enough to catch two men, and dig three graves so Curly is assumed dead. Assuming the name of Slim, Curly is able to lead a new life and the widow receives the reward money.

Trivia, etc. According to the script, the role of Curly is doubled by John Todd, who also played the role of Tonto in this episode. Tonto had a much smaller role than Curly.

Episode #103  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 26, 1933
Plot:
After the death of Dan McTigue and Steve Loughran, two grizzled old pioneers in Arizona, The Lone Ranger and Tonto follow Geronimo’s trail to the Circle J Ranch, where twelve men have been killed and a baby was stolen. After delivering a woman, the sole survivor, to a fort commanded by General Nelson Miles, the Lone Ranger sets out to lasso an Apache Indian, thanks to the speed of the great horse Silver. After capturing a scout for Geronimo, the Lone Ranger leaves him tied with Tonto as he rides the pony into Geronimo’s camp. It doesn’t take long for the Masked Man to discover that the Indian he captured is Geronimo himself and his band of loyals are willing to talk surrender. The Lone Ranger also finds the white baby in a teepee, starved to death. Angry, the Lone Ranger leaks word to General Miles where the Indian camp can be found on the prairie. The fight was short, the end ensured. Tonto then delivered a note to the General where to find Geronimo tied and bound, ready for surrender.

Trivia, etc. The narrator opens the episode with a brief recap of the history of Geronimo, the Apache Leader who brought fear to white men and women around the year of 1886, in New Mexico and Arizona. After reminding listeners that General Nelson Miles effected his downfall, with the aid of the Army, the narrator explains that this episode dramatizes the untold portion of the defeat of Geronimo, which dealt with the Lone Ranger. The episode closed with the following narration: "We do not claim that the adventure of the Lone Ranger is history. We can’t claim that any of his great deeds are history. No one knew the Lone Ranger, where he came from, or where he went. Perhaps had his name been known, it would have been fully as great as that of Miles, and many other characters of the southwest of the early days… but he is a mystery rider."

Episode #104  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 28, 1933
Plot:
Chasing Black Joe and his two henchmen to the Mexican border, the Lone Ranger and Tonto stop momentarily at Smokey Creek to steal a case of dynamite that is being used to find oil wells. Realizing the crooks are going to pass through the K Box Ranch, ten miles north of the Texas oil region, the Masked Man and his Indian companion race to apprehend them, only to find themselves too late. Joe and his men kidnapped Bill Nash’s baby daughter and hold her for $2,000 ransom. The Lone Ranger and Tonto cleverly use the dynamite to call a bluff and force the kidnappers into the hands of the law, where the baby is rescued.

Episode #105  [TITLE NOT LISTED ON SCRIPT]
Broadcast September 30, 1933
Plot:
Shortly after young Jim Grant marries Betty Hooker in the small community of Baldy’s Ridge, his past catches up to him. A crook named Jake tries to blackmail young Jim, because Jim was accused of a stagecoach holdup that he did not commit, but made the mistake of fleeing the scene. Jake managed to get away without being recognized, but Jim is still wanted by the law in Kansas. The Lone Ranger and Tonto, aware of the situation, crease a ruse where Tonto creates the illusion that Jim just struck it rich. Jake’s greed for money carries him to the hangman's noose. In return for not spilling the beans to the sheriff, Jake wants Jim to pay him money. The Masked Man apprehends Jake and turns him over to Jim, giving the youth the edge to resolve the mistake he made in the past. During the confrontation, an attempted murder is made since Jim is wanted dead or alive. Jake receives the bullet meant for Jim and Jake’s associate is arrested by the local sheriff. Having heard the entire story from the Lone Ranger, the sheriff figures Jim isn’t a murderer and assures him that his past will never haunt him again.

Trivia, etc. When the Lone Ranger bears witness to the marriage, he signs “John Smith.” Jim remarks that it was an obvious alias, but “if you don’t want tuh tell me yer name, I reckon it’s yer own business…” John Todd not only plays the role of Tonto, but according to the script doubles for either Jim Grant or Jake.

Episode #106  [TITLE NOT LISTED ON SCRIPT]
Broadcast October 3, 1933
Plot:
Dale Walten is bewildered by the generosity of Abe Forley, when the gold prospector offers him a land deal that even the local judge figures is in Dale’s favor. After Dale discovers he was swindled with barren land, and traded a good claim to Abe, the judge does what he can to help Dale and his wife. When the judge passes away, the Lone Ranger learns the story from the newly (and honest) elected judge, Jim Hurley and rides three days away to meet a lawyer who knows more than Abe. Two years later, Abe strikes pay dirt on the land he swindled from Dale and in front of Judge Hurley, quotes the law. A debt that stands for two years without collecting payment is outlawed and can’t be collected. The Lone Ranger appears in court and brings up a technicality that forces Abe to pay off his debt of ten thousand to Dale… or face jail.

Trivia, etc. It’s verified in this episode that the Lone Ranger is distinguished not just by his horse, but with his laugh. Oddly, the entire story takes place over a period of two years as the narrator explains that Abe worked the land for two years while Dale and his wife lived on the charity of the Lone Ranger and Tonto, before the protagonists faced off to a showdown.

Episode #107  [TITLE NOT LISTED ON SCRIPT]
Broadcast October 5, 1933
Plot:
Bill Conroy is found guilty of murdering the local doctor and while the sheriff is trying to get the man pardoned, the Lone Ranger, in disguise, attends a meeting held by Isaac Peterman to discover that a number of men are being hired to form a lynching party. Peterson interrupts the wild furor of the mob and saves Conroy’s life, even hiding him out at his house. Suspecting Peterman is the guilty party in a complicated plot to gain control of his wife’s Golconda mine stock she had, the Lone Ranger questions the sheriff and then keeps close tabs on Peterman. Hours after Peterman harbors the suspected fugitive, he arranges for his servant to fetch the sheriff and attempts to frame Conroy in the murder of his wife, cinching his hanging. The Lone Ranger interrupts and  vouches for Conroy’s story, explaining to the sheriff that Peterman was slowly poisoning his wife. When the doctor found out, he murdered the doctor and framed Conroy. When the dead woman rises, Peterman, scared, confesses his crime. The truth is quickly revealed: Tonto disguised as the wife, saved her life by arranging for Peterman to stab a dummy and took his place. She is alive and well but Peterman won’t -- he’ll face a hanging for the murder of Doc Stanley.

Episode #108  [TITLE NOT LISTED ON SCRIPT]
Broadcast October 7, 1933
Plot:
In the town of Rock Edge, Tim Sautter robbed the bank of a considerable sum and when the sheriff snoops too close, murders the lawman in cold blood (he crushed his skull with a heavy piece of wood). Tim then arranges for Slim Peters to take the sheriff’s place and Slim promptly arrests Tim’s neighbor, Bob Wilson, for the crime. After being taken into custody, Bob breaks free from jail, thanks to the Lone Ranger. Following the Masked Man’s orders, Bob hides in a cave until the posse arrives. Escaping from the back of the cave to the other side, he finds Tim waiting to shoot him. A struggle breaks and Bob gets the upper hand. After escorting Tim to the sheriff, he find Bob sticking to his story -- until the new sheriff explains the whole thing. Thanks to the Lone Ranger, he knew all along that Bob was innocent. Both men had different firewood and the one that was used to kill the sheriff matched Tim’s. With the help of the Lone Ranger, the posse and the sheriff was in on the set-up to trick Bob into revealing the truth when he confronted Bob.

Trivia, etc. According to casting directions on the script, the actor playing the Lone Ranger also doubled for “Voice 2,” a member of the posse.

Episode #109  [TITLE NOT LISTED ON SCRIPT]
Broadcast October 10, 1933
Plot:
There is enough evidence to verify the murder of Ephriam Dodds, manager of the Wells Fargo express station in Great Bear. Buddy Gilroy is accused of the crime and jailed pronto by the sheriff with every chance in the world of being lynched for murder in the manner of the swift western punishment. Clarence McGruder, the new replacement, shows a lack of respect for the dead man, but assures the sheriff that the recent robberies of the Wells Fargo stages will come to a halt with him in charge. Gilroy’s wife, Jeannie, however, has a long discussion with the Lone Ranger, who suspects her husband is innocent. Later that afternoon, Jeannie cries when she claims her two-year-old daughter accidentally locked herself in the company safe. After moments of confusion and desperation, McGruder uses the combination to unlock the door. The Lone Ranger enters and explains that Dodd was never murdered. Dodd is masquerading as McGruder. The old man confesses that he feared the company would put Gilroy in his position, so he framed the young man for a murder and used chicken’s blood as a means of faking the murder scene. 

Trivia, etc. Tonto rationalizes that Gilroy is innocent, claiming “Tonto, him know... Injun blood in Tonto, makum know.” According to script notes, the actor playing the Lone Ranger also doubled for “Buddy Gilroy.”


Friday, August 8, 2014

"Lost" I LOVE A MYSTERY Found!

Carlton E. Morse
A few years ago at the Friends of Old Time Radio Convention in Newark, New Jersey, a good friend of mine, Brendan Faulkner, told a story that intrigued me. "Back around 1970, a film club that I belonged to in New York City was screening all three of the Columbia I Love A Mystery films," he recalled, "plus the (at that time) unaired TV movie of I Love A Mystery (with Ida Lupino). One of the fellows that ran the club was Chris Steinbrunner, a noted film and mystery historian, who told me that he had tried to arrange for an I Love A Mystery pilot made by ZIV as a special treat. I forget now why this didn't happen. Until he mentioned this pilot to me, I never knew it existed." Until Brendan told this to me, I never knew this existed, either.

Unfortunately there was no way to get any more information since Chris  passed away a number of years ago. If my memory serves me correctly, the details are more intriguing. If I recall accurately, Chris had acquired a copy but apologized in person to the fan club. It seems someone broke into his house and stole the only print of the 25-minute TV pilot. It was never screened and the fans spent the night watching all three Columbia pictures and the Batman-camp-style made-for-TV pilot movie with Ida Lupino.

Flash forward a couple years. Browsing the Ziv-TV archives with the assistance of John Ruklick, I mentioned the unsold pilot to John and asked him to copy whatever he finds about I Love A Mystery, provided there is something. Everything was filed away alphabetically and following I Led Three Lives was nothing. But persistence pays off because looking over everything, following the letter Z was one file all by itself. It was labeled, "I Love A Mystery." ZIV really did produce a pilot of the same name! Sadly, the shooting script was not available in the archive. And imagine my disappointment when I discovered that the proposed series was not based on the I Love A Mystery radio program, created and written by Carlton E. Morse. It was nothing more than an anthology of mystery stories.

There is a shining light at the end of the tunnel. Recently, Brendan came across an oddity on eBay and brought it to my attention. "On eBay a good while ago there was a fellow selling a letter that was from Dick Powell (representing Four Star) looking into the rights to the show," he explained. "The weird thing was that the actual reproduction of the letter was not coming up. It was a picture of something else. I emailed the seller and asked exactly what the letter entailed and explained that the reason I was asking was because a photo of a different item was coming up. He answered that he would correct the error, but he never did. He just took the listing off. I contacted him again about this letter but he never got back to me." This comes as no surprise to me. In 1961, Broadcasting magazine reported that Four Star had secured the television rights to The Adventures of Sam Spade, another popular radio mystery, and that filming has recently been completed with Peter Falk in the title role. To date, neither the Sam Spade or the I Love A Mystery pilots produced by Four Star have surfaced for collectors and fans of the program. That is, if ILAM was truly produced by Four Star.

So for all you die-hards who are curious to look over the production paperwork, the following might be of interest so I am reprinting them below (with some explanation).

Inter-office memo dated September 12, 1955
Inter-office memos like this one often reveal juicy details of what was going on behind the scenes. While pursuing the Warner Brothers television files, for example, I discovered that Ty Hardin (Bronco) was showing up at the set not knowing his lines and this was pre-empting production. It seems a number of directors had complained and the inter-office memo revealed the studio heads' various options at how to approach the actor.
  
Another inter-office memo between executives at NBC (East Coast and West Coast) asked that each other keep tabs on a certain radio celebrity because, as they mildly put it, "is one of the slickest operators we have." Seems when the show was making the move from one coast to another, they wanted to make sure he wasn't going to try pulling off the same stunts he already accomplished. 

A recent trip to the Library of Congress with my good friend Neal Ellis revealed an inter-office memo about Ed Wynn being reprimanded for leaving cigarette butts in the studio! This inter-office memo also reveals the official name of the company, Ziv Television Programs, Inc., evident by the letterhead. The memo was also carbon copied to William Castle, the director, so he was made aware that Sidney Blackmer's participation had to be limited to one day (which meant no retakes or staggering behind in production).

Operation Sheet
For those who are not aware, television production from the fifties and sixties did not extensively credit every person involved. Unless they were a member of a union or guild, in which their contracts stipulate on-screen credit, or they played a major part of production, the crew (regular or irregular) were not usually credited on the screen.
Operation sheets were drafted for every television production, revealing who exactly was involved with the production. The first assistant cameraman (Dave Curlin), the assistant prop man (Robert Murdock), the electricians (Charles Stockwell, Charles Hanger, Harold Kraus, Richard Brightmier and E. Newbaur), and the recorder (Ken Corson) were among the handful of people who were never credited during the closing credits.

I do want to apologize in advance for the scans. Most of the production sheets were on legal paper, not letter. My scanner is not long enough to scan them in their entirety, so I was forced to cut off the bottom inch or two of each scan.

Hence, "Operation Sheet" (with the caption below it) is missing some of the details such as gaffer (Joe Wharton), set labor (Sol Inverso) and construction chief (Dee Bolhius). It should also be noted that production sheets were not always accurate when it came to the spelling of cast and crew. So if you ever consult such sheets for your write-up, I suggest you double check the spelling of the names. Sometimes this can be very difficult when the last name is spelled two different ways in the closing credits of the same series (I've come across that before)!

The first sheet reveals, as you can see, the exact days of filming. In this case, September 15, 16 and 17, 1955. While the name of the series is I Love A Mystery, the name of the actual drama is "I Owe You." Obviously, the next episode would have had a different title (such as.... "The Case of the Queer Poison). You might have also observed the type of film they used, 35mm, which was standard in TV production.

Also note that the episode was filmed in black and white. This is a clear indication that the pilot was not filmed in color. Way too many times I have read where a program or specific episode was supposed to be in color and those ignorant of the facts, hurt themselves by not buying a commercial DVD when they believe there is a better print elsewhere. For years I had a copy of a television pilot for The Phantom, with Lon Chaney Jr. and Paulette Goddard, in black and white. Boy, was I surprised when someone turned up a 16mm print in color!

For ZIV Television, this can be confusing. All of The Cisco Kid television episodes were filmed in color. Yet, black and white prints exist in collector circles. For I Led Three Lives, which ran three seasons, only season two was filmed in color. This confuses fans who "believe" that all three seasons were shot in color.

For Science Fiction Theatre, Ziv shot the first season in color and the second season in black and white. Why? Because enough stations renewed the series for a second season, but not enough to warrant the additional expense, so Ziv agreed with producer Ivan Tors that he could have a second season if he was willing to have the series filmed in black an white. Tors agreed. So the belief that every episode of any particular series was shot solely in one format needs not apply. (Heck, remember F-Troop? The first season was shot in black and white and the second season was shot in color.)

The last Operation Sheet reveals how many extras and standins were available during filming, and exactly which day or days each actor was needed for filming. Most of us know that television episodes are never filmed in sequential order. Scene 24 can be filmed before Scene 3, to accommodate for the actors' schedules. 

Daily Production Sheets are commonly found for each and every television episode. Since the entire production was filmed in a studio and not on location, the first sheet (dated Wednesday, September 14, 1955) reveals the exterior of the roadside diner was constructed inside. The word "format" on the top right and the narrator, Paul Kelley, used for the opening voice over narration, means that production on this evening was for the title sequence, which would have been used for each and every episode of the series.

Recognizing the emerging importance of television, in 1950 Ziv signed a five-year $100,000 lease with California Studios in Hollywood to produce television programming. By 1952 Ziv Television Programs Inc. had nine series available for syndication including Sports Album and Yesterday’s Newsreel as well The Cisco KidBoston BlackieThe UnexpectedThe Living Book, and Story Theatre

Ziv also offered a package of feature films reportedly leased from distributor Budd Rogers, and a cartoon package leased from Walter Lantz. Realizing that the company was truly in the television production business, Ziv purchased American National Studios (formerly Eagle- Lion Pathé Studio) on Santa Monica Boulevard in late December 1954 for a reported $1.7 million. I mention this because you'll notice that American National Studio was listed on the Daily Production Sheet.

Howard Duff and Maria Riva carried most of the scenes on I Love A Mystery, as evident not only because they were among the cast for all three days of production, but the only actors required for the first day of filming.

Notice how the studio kept track of when the actors appeared for hair and makeup, how long their lunch breaks are, and number of film produced including "negative waste."

Keeping tabs of how much film was put into the can, by the day, was very important. This let the studio know if they were falling behind or ahead on schedule. 

On the final Daily Production Sheet, you'll notice the notation that the camera crew was dismissed at 6 p.m., but sound continued until 6:15. That means one of the actors, Dennis King Jr. (as you can see on the "Time In Studio") was providing his voice for an audio recording to be played on the program (the voice on the other end of the telephone).

Such notations are not uncommon and often reveal who tore their pants on the set, when a battery backup went dead while filming on location, and other factors that explained why a brief delay in production.

Ziv dominated the field. Of the six distributor categories in Billboard’s fourth annual TV film service awards, ZIV-TV won first place in four and was second in one. As far as the poll was concerned, ZIV-TV in 1955 (the same year this pilot was made) maintained its leadership in TV film syndication. The company’s status in the Billboard polls remained constant through most of the 1950s in the same manner.

No one knows why I Love A Mystery never sold. Historians only speculate that the title of the program might have been a conflict with the Carlton E. Morse program, but that is only speculation. “Most of our shows were not offered to the network,” Ziv recalled to interviewer Irv Broughton. “A program like Sea Hunt, for example, was turned down by the network. We showed it to each of the networks, showed them the pilot. They liked the pilot, but they figured—and each one seemed to be of the same opinion—‘Well, what do you do the second week and what do you do the third week—you’ve done it all the first week.’ Well, of course, they were wrong; we produced it year after year.”

The Cast Sheet reveals which actors played what fictitious roles, the name of the actors' agents, and phone numbers for both actors and agents. The Breakdown sheets reveal which scenes in the script were filmed (in which order), and props used on the set. 

While most major film studios operated five days a week, ZIV Television worked six days a week excluding Sundays—unusual for television production during the fifties. “Filmmaking was fun, but it was also hard to be a Latter-day Saint and work in the picture business during Hollywood’s heyday,” recalled director Henry Kesler. “The system itself worked to make it difficult to observe church teachings.”

“The folks at ZIV were more concerned with budget than our creative talents,” recalled director Leon Benson for a trade column in the early seventies. “I often felt the pressures when something went wrong. They passed around an internal memo one afternoon reminding those of us underpaid that each television production was to be completed within two shooting days. The next day a power outage put us a full hour behind schedule one morning and I was sweating every minute we waited for the power to return to the set.”

Howard Duff, by the way, had worked with Ziv Television before. In March of 1955, six months prior to filming this pilot, Duff made a guest appearance for Science Fiction Theatre. The episode was titled "Sound of Murder." During a top-secret conclave of scientists in Washington, one of the group, Dr. Kerwin, receives a phone message from his superior, Dr. Tom Mathews (Duff), to meet him in a certain hotel room. 

Kerwin is later discovered murdered, and key papers concerning a top-secret project are missing. Mathews is arrested both because of the phone call and more importantly because he had disappeared for six hours that evening, deliberately losing an FBI agent assigned to guard him. Tom’s only explanation is that he went for a walk. But the ensuing Justice Department investigation turns up a number of phone calls which Mathews allegedly made to the other scientists on the project, in each case requesting secret information. Mathews is indicted, regardless of how much he claims innocence. His case seems hopeless, until Mathews and a scientist friend mathematically figures out how the phone calls were made, and how not only his voice was duplicated, but also his knowledge of the workings of the project, through the use of an intricate instrument called a “Sound Synthesizer,” used to replicate another man’s voice and calculates an answer to a question by the recipient. By this means they trap the real murderer and traitor.

 

What you will find below the Breakdown Sheets are the Standard Contracts for each and every actor who appeared in the pilot. Like the Operation Sheets and the Daily Production Reports, I did not scan the very bottom of each contract, because the actors' social security numbers were listed and for obvious reasons, I do not feel that providing such social security numbers would be appropriate.

In closing, while I found a copy of the unaired I Love A Mystery pilot, it is in the original 35mm format and I have no means of having it transferred to DVD. There is (as described above) proof that there is at least one 16mm master available in collector hands.

Update August 8, 2014: This blog post was originally published in July of 2011 and a private collector read it and discovered what they had was a Holy Grail for TV and OTR fans. He since contacted me and a few days ago the 16mm print arrived at my front door, courtesy of UPS. Working on having it transferred to DVD and with luck, it will be screened at this year's Mid-Atlantic Nostalgia Convention in September.